Critical Condition




Four masked faces, against a black background, yellow diagonal lines dividing them. An older man with rough stubble on his chin, in a blue mask; a girl with purple hair wearing a purple mask; a man in a green and yellow mask; a man in a black mask.

Directed by Jeff Wadlow

Produced by
Adam Bohling
Tarquin Pack
Matthew Vaughn
Brad Pitt
David Reid

Screenplay by Jeff Wadlow

Based on Kick-Ass 2 and Hit-Girl
by Mark Millar
John Romita, Jr.

Starring Aaron Taylor-Johnson
Christopher Mintz-Plasse
ChloŽ Grace Moretz
Jim Carrey

Music by Henry Jackman
Matthew Margeson

Cinematography Tim Maurice-Jones

Editing by Eddie Hamilton

Studio Marv Films
Plan B Entertainment

Distributed by Universal Pictures

Release date(s)
14 August 2013 (United Kingdom)
16 August 2013 (North America)

Running time 103 minutes

Country United Kingdom

United States

Language English


Kick-Ass 2

While the hilarious brutality of Kick-Ass might have been lost in the sequel, it brings forth something all together new and, forgive me for bringing up Man of Steel again, but if you're looking for a movie that puts superheroes into a more realistic setting, stop looking for a guy in a blue body condom and start looking for a beat up teenager in a green wetsuit.

A few years have passed since Dave first became a superhero for the hell of it and got tangled up with a couple of real-life vigilantes and helped take down a crime family.  Now new homemade superheroes are popping up all over New York City and Dave, partially because he is bored and partially because he was dumped by his girlfriend, decides to step back out into the game.  This time, however, he enlists the help of Hit-Girl who has grown up into a teenage girl.  Still fighting crime and cutting evil's balls off, she tries to balance the promise she made to her dad, the dearly departed Big Daddy, and her adopted dad's hope that she can still lead a normal and safe life.

Meanwhile, Chris, the man formerly known as the turncoat superhero The Red Mist, has been thirsting for revenge ever since Kick-Ass killed his dad with a bazooka and has become the world's first super villain, The Motherfucker.  Determined to make Kick-Ass pay for his father's death, the Motherfucker assembles his own team of bad guys and begins to wage an all out deadly war against superheroes.

While Kick-Ass 2 starts slowly, goofy, and awkwardly, I'm starting to wonder if it wasn't done on purpose to gently ease the audience into the heavy shit that it has stored in the back room ready to douse on the unsuspecting moviegoers like a bucket of Carrie pig blood.  This movie goes dark and it goes serious quick.  In some ways, it works -- as I said, it out-realisms Man of Steel and does pose some very interesting dramatic questions about self and image.

What it loses, sadly, is the humor and frenetic energy of the first.  When I first watched the original Kick-Ass I made the statement that some of the Hit-Girl fights rivaled and surpassed the fights in the Matrix sequels.  Honestly, it's an opinion I still hold.  In Kick-Ass 2, there are no memorable action sequences.  Not a one.  As a matter of fact, aside from a nice but not thrilling van fight sequence, Kick-Ass 2 is actually pretty action thin.

It's also thin on laughs.  As Chloe Grace Moretz has grown up, the laughter derived from saying "snatch" and "cocksucker" and killing people has diminished quite a bit.  As a result, the wrongness and shock value of Hit-Girl has been forever lost, but the movie doesn't seem to understand this.  It doesn't understand that the iron is no longer hot.  Still, Hit-Girl is presented as though she is still edgy and she's not.

Jim Carrey as Colonel Stars and Stripes is wasted in this movie.  To be honest, under all of the heavy makeup, his part could have been played by Precious and no one would have known.

So, Kick-Ass 2... not as funny and not as action packed.  What does it have?

It's got a more than decent look into a world where superheroes and super villains are real.  The steps that characters take are logical and would probably work even if the absence of a competent police force is a little weird.  I would even venture to say that the villains of Kick-Ass, despite their extravagance, are probably some of the most clever comic book villains I've seen in a while.  Screw killing the heroes in costume, they are smart enough to track them down out of costume while they're alone!

As I said, though, Kick-Ass 2 goes dark and I would almost say a little too dark for a comedy.  If the laughs aren't there, even at black humor, the movie appears cruel and this movie gets really goddamn cruel.

Still, it's not a total loss.  It is a decent movie and it's a decent sequel, but it's not the vibrant shower of blood and inappropriateness that I was hoping for and for that, it's a dissapointment.

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